by Henry Makow Ph.D.
"Defiance", yet another movie
about Jewish victimhood
and heroism opened in 1800 US theaters last week.
About Jewish partisans fighting Nazis, it adds to a growing
Holocaust film genre that includes Sophie's Choice,
and The Piano
But one incredible Jewish story of genocide continues to
elude Hollywood. This is the execution of 20,000 Polish
Officer POW's, (devout Roman Catholics who represented much
of the Polish elite,) by the Bolshevik Jewish-led NKVD in
the Katyn forest in 1940.
Why has Hollywood ignored this story? My opinion is that,
with six degrees of separation, Hollywood, (and indeed
America) is ultimately run by the spiritual descendants of
Thus we are brainwashed to ignore genocides that don't fit
the Nazi-Jew paradigm. Movies are essential to this
programming. Part of an ongoing psychological war on the
Christian European majority, we are made to identify with
minorities. If we object, we are counted as Nazis. I will
expand later when I briefly review Hollywood's current fare.
Andrej Wajda, 82, Poland's most celebrated film director,
lost his father at Katyn. In 2008, Wajda made a movie about
this genocide and its effect on the victims' families.
Financed by Polish TV, the film, "Katyn," was a major
artistic and commercial success in Poland. It was nominated
for an Oscar for Best Foreign Film in 2008, but still has
not found wide distribution outside Poland.
It did not win the Oscar. The award went to a Jewish
Holocaust movie, "The Counterfeiters,"
a "true story"
from Germany. It described the moral dilemma faced by a
Jewish master-counterfeiter forced to forge British and US
currency. ("Should I sabotage this process?") I saw this
movie. It is an enjoyable piece of propaganda which helped
the audience identify with Jews. In real life, I doubt if
the hero had any such moral qualms. Even in the film, he
filled his own pockets.
the trailer for "Katyn"
. I haven't seen the movie but I
did stumble across information that illustrates why this is
the stuff of which epics are made.
First, some background from Wikipedia: "Since Poland's
conscription system required every nonexempt university
graduate to become a reserve officer, the Soviets were able
to round up much of the Polish intelligentsia. Those who
died at Katyn included an admiral, two generals, 24
colonels, 79 lieutenant colonels, 258 majors, 654 captains,
17 naval captains, 3,420 NCOs, seven chaplains, three
landowners, a prince, 43 officials, 85 privates, and 131
refugees. Also among the dead were 20 university professors;
300 physicians; several hundred lawyers, engineers, and
teachers; and more than 100 writers and journalists as well
as about 200 pilots. In all, the NKVD executed almost half
the Polish officer corps."
In 1945, Maurice Shainberg was the Assistant to KGB Col.
Grigory Zaitzev who was the Commandant of the main Katyn
work camp. In his book, "Breaking from the KGB,"
(1986) Shainberg, a Polish Jew, tells how he discovered
Zaitzev's Katyn diary in the safe. Shainberg had misgivings
about Communism and identified with his fellow Poles. He
took great personal risks to copy sections of the diary. The
Zaitzev Diary was dynamite because the Soviets always
claimed the Nazis had committed the war crime.
The diary appears authentic except for one major
discrepancy. Zaitzev pretends the slaughter was necessitated
by lack of transport to remove the prisoners in advance of
the Nazi onslaught in June 1941. In fact, Stalin and Beria
gave the order to murder the Poles in early March and the
executions took place in April and May 1940. Only 4250 were
actually shot in Katyn forest. The remainder were executed
in prisons elsewhere. Many were taken out in barges on the
White Sea and drowned.
Otherwise, the diary describes how the Soviets tried to
indoctrinate and intimidate the Poles into betraying their
culture and their country,(as the Western-elite has done
today,) by forming a puppet class in a future
Soviet-dominated Poland. The Poles refused and that is the
reason they were slaughtered.
THE ZAITZEV DIARY
When Zaitzev got his assignment, he was warned that the
Poles were all "educated religious fanatics" always singing
patriotic songs and hymns with their chaplain. Zaitzev was
confident he could teach them to "pray to a new God."
The prisoners worked cutting trees from 6 a.m. to 6 p.m. In
the evening they boycotted the indoctrination sessions. They
had no desire to assist in building the future
One officer explained: "As a Pole I know my nation. None of
us have the desire to dictate to other people, and we don't
want other people to dictate to us. We are neither a Fascist
or a Communist nation, but a devoutly Catholic one."
Once during a speech, the Polish Army Chaplain Jozwiak
lifted up the crucifix he wore and began to chant a prayer.
The prisoners followed suit. That night, Jozwiak was taken
to the Interrogation Chamber.
"The use of electrical currents on Father Jozwiak's eyes and
body didn't help. Nor was the Chinese method successful,
where the prisoner was stripped from the waist down and
forced to sit over an open cage of starving rats. We
couldn't allow the priest to go back to the other prisoners
in the condition he was left in, so we finished him off." (Shainberg,
The NKVD thought the priest's example would have a sobering
influence on the POW's but instead they curtailed their
work. The NKVD retaliated by decreasing rations which made
the prisoners too weak to work. When the NKVD started
shooting prisoners who didn't work; the others turned on the
guards with their axes and 192 Poles were shot.
Now the Poles were more defiant than ever. When a
collaborator lectured to them, they began to chant a prayer:
"We Polish soldiers and prisoners of the Soviets have been
brought here to foreign lands to die. We beg of you, Mother
of God, to take care of our nation...Save us from German and
Soviet imprisonment. We are offering ourselves as a
sacrifice for the independence of our fatherland..."
Of course this is the kind of self sacrifice and patriotism
that our Masters don't want us to see.
"Our task was impossible," Zaitzev wrote. "People who have
never met these Poles will not understand how difficult it
was to change their attitude toward us. No beating or abuse
would make them stop their singing. They are a hard and
proud people. Every day they get physically weaker but their
anger and hatred increased."
Polish historian Krzystztof Siwek tells me that Poland has
declared April 13 a National Day of Rememberance of the
Katyn martyrs. "A joint Polish-Russian commission was formed
to develop an official position of both sides. Most of
controversies remain unresolved. Russians fear that
admitting fully to the crime against humanity would allow
the victims' families to demand compensations and other
penalties as in the case of Germany."
MOVIES AS PROPAGANDA
The goal of Illuminati Jewish bankers and their gentile
collaborators is to meld the world's population into a
single servant class in a "New World Order." This requires
the destruction of the four legs of human identity: race,
religion, nation and family.
The Illuminati bankers established the USSR as a precursor
to the New World Order. The execution of the Polish elite
was necessary to the longterm plan. The Nazis, also an
Illuminati Jewish creation, treated the Polish and other
national elites in a similar fashion.
The Illuminati are Luciferian. They wish to substitute their
rule for God's natural and spiritual (moral) order. They
need to destroy the Western European Christian heterosexual
middle class to fulfill their agenda. Culture is a function
of money and the Illuminati control credit. Thus the culture
maintains a conpiracy of silence about the gradual
subversion of Western Civilization by its own traitorous
Instead the focus, in movies for example, is on minorities.
Clint Eastwood's "Grand Torino" is about a redneck who
learns to love Asian immigrants kids. Oscar nominated "Slumdog
Millionaire" is about Bombay street kids. Sean Penn's "Milk"
is about a crusader for homosexual rights. Oscar nominated
"The Reader" combines pedophilia and German guilt for the
Holocaust. "Revolutionary Road" is a negative view of
marriage and the 1950's, a period when the nuclear family
recovered. (I loved this movie but hated the message.)
"Doubt" is about homosexuality in the Catholic Church.
French Best Foreign Language nominee "The Class" is about
immigrant youths and how lovable they are. And on it goes,
movies are propaganda for the Illuminati agenda.
When the movie is about white Americans, as in "Benjamin
Button," no collective identity can be upheld, no universals
revealed. Life must be literally turned upside down, in this
case reversed from old to young, because American truth or
normal life has no interest for the screenwriter, Eric Roth.
This diverting but ultimately vacuous movie is a triumph of
make-up. It has nothing important to say to Americans at
this critical moment.
So there should be no surprise that a film about Christian
martyrs and patriots coming from an anachronism called a
nation like Poland will be quietly swept under the carpet by
"Art Movies Pack ideological Sucker Punch"
"Was Polish Holocaust Also a Hoax?"